Hey guys and girls, I came home from a hard week at work last night and decided to record a Hard dance/hard house mix! This one’s a bit Bouncy, Hard and funky (with only one slightly dodgy moment, but think I turned it around LOL!).
It’s been too long since i recorded a DJ mix so here’s one for you!
PreFix:Hard 2016 is a mixture of Vocal Hard House, HDM, Bounce, Scouse, etc (cheesier than my usual styles in some ways but banging as usual!).
It’s available to stream via Mixcloud or download HERE!
01: 2-4 Grooves- Up To No Good (Brooklyn Bounce Remix)
02: Adam Taylor and Charlie Goddard- Time and Time Again (Original Mix)
03: Andy Whitby & Audox- To The Weekend (Original Mix)
04: Audox feat. Elkie- All Too Much (Original Mix)
05: Energy Syndicate- Shake The Speakers (Cut-Up Remix)
06: Energy Syndicate & Cut-Up- Hear It Blow (Original Mix)
07: Tamerax- Arcade Generation (Original Mix)
08: Deejay Laura- Wonderland (Luke Hudson Remix)
09: Hard Hat- Industrial Accident (Original Mix)
10: JJ and DJ Oskar- Cloudy Days (Dj Oskar (HDM Mix)
11: DJ Zany- Rock The Beatz (Original Mix)
12: Thomas Newson & MAKJ- Black (Wildstylez Remix)
13: Isaac- Recharged (Original Mix)
14: Dizko H3D- The Launch (Original Mix)
15: Starman presents Italo Bounce- Movin Now (Elivate and Rownz 2016 Remix)
16: Tom Parr and Jade Paley- Memories (Original Mix)
17: Nikkdbubble & Filthy Kitten- Flap (Original Mix)
18: Chris Impact- My Bad Ass Lizard Sugar Daddy- (Jondog Remix)
19: Razbo- Cat Sh@t Bass (Original Mix)
20: Rob Cain- Nobody Listens (Pomp 18) (Original Mix)
It’s been too long since I posted anything here so I may as well open with a new tune (and FREE download) “The Return”.
I have decided to try my best to release more music, but that means spending less time tweaking endlessly and more time actually finishing stuff! This first one was born out of the desire to create the kind of Progressive music that made me love the older “Global Underground” CD’s; i.e. from a time when Progressive House and Trance intertwined and long tripped out repetitive mixes were more widely embraced.
I feel I’ve captured that vibe here on “The Return”.